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In spite of their preference for the masculine noun, most participants were not able to use it correctly, in accordance with the relevant rules of the Polish grammar and with the situational context. The composite feminine form pani żołnierz proved to be more popular (seven participants chose it at least once), yet the great majority of the translators (almost 87%) used the masculine generic noun żołnierz. Żołnierka was only used by three participants. The word soldier, which appeared repeatedly in the source text, obviously referred to an individual woman. nouns referring to women in the military among young Poles I administered a short translation test to 38 trainee translators (students of English Philology). In order to check preference for masculine or feminine. The word żołnierka 'female soldier' is present in contemporary dictionaries of the Polish language and also on the Internet, but many language users object to it. For women employed in these professions masculine names are used. In Polish, all nouns have grammatical gender however, many traditionally "male" professions lack feminine names. Multiple links that still exist between stereotypical ‘men’s talk’ and humour as entertainment,Īnd on the power of such ways of interacting as a sound base for women’s implicitĭisplays of transgressor femininities. Generally, this article calls attention to the
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Phenomena based on this mode of discourse.
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This entails a notable break with norms of conventional femininity, a gender crossing Participants in this conversation produce different forms of masculine humour, and that The idea of ‘sharing a laugh’ as a strategy to reinforce bonds. Of creative and competitive abilities for verbal play, which is generally oriented to Practice of genres and styles of humour which are masculinised, as they require a demonstration The analysis places emphasis on the participants’ In this article, I aim to address gender crossing phenomena (Thorne,ġ993) in conversational humour, by analysing excerpts from a friendly interaction among
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Intimate and subversive in relation to gender norms, generally oriented to the construction is also a feminine humour, which is supportive, Is a masculine humour which is creative, competitive and playful, focused on entertainmentĪs a strategy to reinforce bonds, there. ‘men’s work’, but it can be performed both in feminine and masculine ways so, while there Over the last years, research on gender and conversational humour has demonstrated,Ĭontrary to popular beliefs and social stereotypes, that this mode of discourse is not only
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